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Thursday 12 June 2014

La Belle Dame Sans Merci - John Keats



O what can ail thee, knight-at-arms,
       Alone and palely loitering?
The sedge has withered from the lake,
       And no birds sing.

O what can ail thee, knight-at-arms,
       So haggard and so woe-begone?
The squirrel’s granary is full,
       And the harvest’s done.

I see a lily on thy brow,
       With anguish moist and fever-dew,
And on thy cheeks a fading rose
       Fast withereth too.

I met a lady in the meads,
       Full beautiful—a faery’s child,
Her hair was long, her foot was light,
       And her eyes were wild.

I made a garland for her head,
       And bracelets too, and fragrant zone;
She looked at me as she did love,
       And made sweet moan

I set her on my pacing steed,
       And nothing else saw all day long,
For sidelong would she bend, and sing
       A faery’s song.

She found me roots of relish sweet,
       And honey wild, and manna-dew,
And sure in language strange she said—
       ‘I love thee true’.

She took me to her Elfin grot,
       And there she wept and sighed full sore,
And there I shut her wild wild eyes
       With kisses four.

And there she lullèd me asleep,
       And there I dreamed—Ah! woe betide!—
The latest dream I ever dreamt
       On the cold hill side.

I saw pale kings and princes too,
       Pale warriors, death-pale were they all;
They cried—‘La Belle Dame sans Merci
       Thee hath in thrall!’

I saw their starved lips in the gloam,
       With horrid warning gapèd wide,
And I awoke and found me here,
       On the cold hill’s side.

And this is why I sojourn here,
       Alone and palely loitering,
Though the sedge is withered from the lake,
       And no birds sing.

2 comments:

  1. This ballad by John Keats explores a sense of unrequited, obsessive love by the narrator of the tale; through a clear sense of imagery, we learn that a man has fallen in love with a "beautiful" "Elfin" woman - whom he met whilst travelling - and became bewitched by her charms and comments. It's plausible that a reader could empathise with this poor knight as he shows signs of deep emotion to this "faery's child", through his exertion of effort to make her "garlands" and "bracelets". As we learn later in the ballad, Keats does not intend to show the early beginnings of a true love (although using an ironic setting which would imply spring-time, thus implying a sense of renewal and growth), as the imagery and tone begin to create a foreboding aspect. By receiving him dream, Keats could have been suggesting a darker intention to the woman's affection, which she may have felt for others prior - resulting in "pale kings and princes" attempting to save the knight before he too, receives the same fate as them. Moreover, this constitutes a paradox in the relationship between the two key figures; it could be perceived the woman was merely a seductress who wished to obtain a justification of her obsessive self-love from a man, while the knight truly adored the woman. For this explanation, it may be inferred that his "woe-begone" state - as recalling the story - is his mourning for the love he desired, yet knew he could never have.

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  2. The poet describes his new found love as a 'faery's child' - describing her as out of this world, as faery's cease to exist. This could portray the feelings that the poet is experiencing are magical and hard to comprehend. However, these feelings are soon demolished when the poet experiences the feeling of extreme heartbreak, finding it hard to comprehend that his love only wanted him for her selfish needs. This could portray the confusion between lust and love.

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